The ikea quilt

This quilt just went out to a good friend.  She was actually the person to introduce me to Ikea stores; she was a big fan, and had named her cat Ikea.  We lost touch over the years, but recently connected again on Facebook.  I made her this quilt, pulled together with 5 inch squares from 2 charm packs of Spa, by Deb Strain for Moda, together with solids from Kona in white and Pacific.

The quilting is a loose stipple, to keep the drape nice and get 'er done.  I chose a bright yellow backing and binding, just to break up all that blue.

True disclosure-- the blue kona ran dreadfully in the wash.  I did use a color catcher, but even so, there was a lot of bleed into the charms.  A long soak and an second run through the wash with 2 color catchers helped some, but even then, the color catchers were fully saturated with blue dye.  I've had such a good track record with no issues from using unwashed fabrics, this was kind of frustrating, specially since it was intended to be a gift.

As for the photographs-- well, it's been raining a lot here, so an outdoor shot wasn't going to happen. But where better to photograph the Ikea Quilt than in front of a fully loaded Expedit shelving unit, with assorted Ikea storage boxes and products kin of in view?

Sunnyside quilt -- Gifted

Just sent this quilt to a dear friend.  Made with a jellyroll of Moda's Sunnyside fabric by Kate Spain, plus a few random charm squares, a strip of kona cotton in light grey, and some kona bleach white.  Free motion quilting-- simple stipple in the print fabric areas, pebbles on the grey, and improv sun motifs along the white border-- those truly weren't planned, I just kind of felt like doing something interesting along there as I was wrapping up the quilting. Backing and binding are a light grey chec, and just to break up all those lines some more, I rounded the corners and did a bias binding.

The quilts of 2013

Pinterest Board: Quilts of 2013

I'm still hoping to complete a few more, so it's a work in progress.

Using up more scraps:design wall this week

I've had leftovers from a collection of French General fabrics in my scrap box for years, but finally pulled them out to put together some seasonal projects.  The top photo is a Trip Around the World -- very traditional design.  It's a big quilt-- a good 96" square, so I'm not looking forward to quilting it. 

Other scraps were better suited to the nine patch and snow ball blocks in the second photo -- enough to make a table runner and possibly a table topper or a small wall hanging.

Quick and Easy Baby Quilt

I used a couple of partial charm packs together with scraps from my stash to pull together a quick and easy half square triangle quilt.  48 inches square.   A good one for the "just to have on hand" collection, ready to gift for the next baby shower.

The camera as a quilting tool, part 2, and crowd sourcing

Cell phones with cameras and social media as quilting tools-- not very traditional, huh?  But I'll argue that it's just a new way of doing what quilters have always done -- tapping into collective thinking. 

Quilting is interesting in that it is both a solitary pursuit and a social endeavor.  The social part used to look like quilting bees where all the pioneer ladies gathered round and plied needles while gossiping (and presumably sharing sewing tips).  Now that interactive piece is expanded to include blogging, youtube videos, online tutorials, and Facebook. 

Yes, Facebook is a quilting tool for me.

Here's one example. 

I was making a quilt for a friend, and I was at that dangerous point where I was frustrated with it and losing the love.  The risk that it would end up in a ziplock baggie in the back of my closet was high.  I had a lot of blocks made up, but none of the arrangements I had tried so far was making me happy. I was doubting the fabric choices (vintage scraps given to me) and feeling like the 5 inch blocks were too big and graceless.

I photographed my various block layout options with my cell phone.  A quick photo is a great way to track back to a previous arrangement without having to rethink it all from scratch again.

I still didn't love any of them.

Mulling didn't help. 

So I posted on Facebook, and asked my 238 friends for input. Strangely, some of them didn't have anything constructive to say, possibly because I befriend people who are not necessarily quilting enthusiasts. 

But several useful things happened:

• There was a consensus of opinion that one of my layouts was more appealing. 
• The friend for whom I was making the quilt  (as a surprise) commented that she really loved the colors and the design and that she admired my crafty skills and wished she knew how to make quilts. . .
• When I saw the thumbnail photos, I realized that I needed a frame of darker blocks.

Now, as it happens, I didn't personally like the design that everyone else liked (#6) but all those votes for it helped me realize that my friends were all wronge, and that I was right, so I stuck with my original preference, which was #1.

The biggest benefit to the social media input was the fact that my friend commented that she liked what she saw on the design wall.  See, I don't love that color palette, and I found myself doubting and second guessing constantly -- hence the high risk for ditching the whole project.  But when I had good reason to believe that it was, in fact, just the kind of color scheme and design that she would really like, I had the motivation and energy to finish it up in time for her birthday. 

And here's a photo of the completed quilt:

The camera-- a quilting tool

Throwing a bunch of photos all into one post.  Should I save this for a Wed. post and call it Wordless Wednesday? Nah. These are mostly design wall shots of works in progress.

Scrolling through my dropbox files reminded me of how important a camera is to me as a quilting tool.  Here are just a few of the ways I use a camera (often just the one on my cell phone) as a tool for my quilting.

• I often photograph fabrics I've just purchased.  It's super easy to put that photo into Evernote along with a notation of the yardage, manufacturer and fabric line, price, source -- and my ideas for using it.

• I photograph a specific piece of fabric to help with finding a matching or coordinating fabric (though colors can be tricky).

• I photograph my blocks up on the design wall -- something about seeing it on a screen makes it easier for me to pick out mistakes in orientation or problems with color distribution. 

• I also use the photos on the design wall as back up documentation.  Nothing is more annoying that having the perfect arrangement only to lose it to a gust of wind or an annoying cat -- photo to the rescue.

• I photograph my finished quilts, and again make notes on Evernote to keep track of what batting I used (and if I liked it), thread and needle issues, things I wish I had done differently and will remedy next time (ha!), stuff like that.

• And I like to take a finished product photo, ideally in natural light, in a cool setting.  Many of my quilts are gifts, so I like keeping an array of photos so I can continue to enjoy them.  I sometimes use close ups of the quilting as my background on my computer, or as my header on Facebook or Flickr. I've used photos of quilts I've made to create greeting cards. And I've gotten in the habit of putting together a photo book every 2 or 3 years documenting my quilts. Nothing fancy, and not very expensive when you use one of the frequent promotional special offers.

Ok -- so to the photo dump:

Hmmm.  I spotted a couple of UFO*s there.  Maybe this will motivate me to pull them out and give them the use-it-or-lose-it treatment.

What about you?  Do your camera and your sewing machine support each other? Do you find your cell phone and aps are useful quilting tools?